Celeste appunti per natura (2017)

solo by: Raffaella Giordano
incipit and piano music: Arturo Annecchino
extraordinary meetings, complicity and thoughts: Danio Manfredini and Joelle Bouvier
abstract editing and compositions: Lorenzo Brusci
lighting design: Luigi Biondi
costume: made by Giovanna Buzzi, painted by Gianmaria Sposito
technical execution: Piermarco Lunghi
thanks to: Filippo Barraco, Sandra Zabeo, Romana Walther.
first open study at the: Complesso di Santa Croce within Nevsky Prospekt, bisceglie (BA)
production: Associazione Sosta Palmizi
with the support of: MiBACT, Ministero per i Beni e le Attività Culturali e del Turismo/Direzione generale per lo spettacolo dal vivo; Regione Toscana/Sistema Regionale dello Spettacolo

SYNOPSIS

The compositional writing declines by analogy fragments of the natural world, the path is inscribed in the language of the body, otherwise untranslatable and the self becomes only the point of origin of the vision. The first roots of this work slip into a book; the Summer of the Hill, by J.A.Baker, a bizarre and mysterious English writer who tells and describes only nature. His gaze is placed on the smallest manifestation, up to the dizzying greatness that includes it.

« What is nature that loves to create, where death. Similar to the border of the world in the center of a nonexistent landscape, the desire to create forms. The silence is thick, reading the notes of a piano in the distance. Like the flowers in the meadow, the themes of all time are peeping out. The dress like a sky or a land, the color pattern with imprecise contours, the sign of a porosity of the soul. Dear spectator I offer you my path, mirror reflection of a celestial song.  »
Raffaella Giordano