Body‚ presence‚ permission‚ encounter
The inner movements
A secret time‚ an intimate space

Orientation traces

“I think of transmission as if it’s an experience that doesn’t translate into a strictly framed practice‚ but develops in a form of listening due to relationships that are always in becoming.
During the time frame of the workshop‚ my function cannot be of teaching a way of dancing but should be of creating hints ad suggestions that together with the dancer formation process‚ should be able to improve his skills towards a basic awareness‚ in order to face with sensibility the infinite dancing forms.

I usually work on the quality of “attention” and on re−discovering the reality of a simple act. How to understand life intertwined with “motion”‚ what supports it and what generates it.

The simplicity to be able to act without forgetting personal sensibility‚ so to take a distance from what we are creating. Self educate oneself to “adopt” an action in its totality‚ finding the sense of union‚ of full attention.

The dancer is bond to a responsibility‚ is exposed to the risk of loosing sight of the idea of himself‚ allowing himself to time and error‚ reactivating the constructing dialogue between ability and limits assumed as a value. During the improvisation time‚ on a more personal level‚ the dancer is addressed to face his possibilities of listening‚ undertaking‚ reacting‚ of “opening up” and willingly intentioned to make experiences‚ putting on the plate his desires and his difficulties.
Words are usually not enough to show the right path to follow and therefore everybody’s life and experience become teachers.”

Raffaella Giordano